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Pattern Antebellum




Pattern Antebellum

Slavery In African American

The slave houses were constructed out of tabby and built by the slaves probably in the 1820s or 1830s,  although evidence exists that indicates two of them were inhabited by 1814.  Tabby was constructed of shells left over from Timucua middens, burned by the barrel-full in open pits or kilns, then pounded into lime particles, mixed with water, sand, and whole oyster or clam shells, then poured into wooden foundations about 1 foot (0.30 m) high, and set to dry. The process was repeated and stacked until the desired height of the wall was reached. The floors of the kitchen house and the basement of the owner’s house were also constructed of tabby. The material made the houses remarkably durable, resistant to weather and insects, better insulated than wood, and the ingredients were accessible and cheap, although labor-intensive. The slave quarters at Kingsley Plantation are widely considered some of the best surviving examples of the use of this building material.

Each cabin consisted of a room, fireplace, and sleeping loft. The arrangement of the quarters is distinctive: there were originally 32 cabins laid out in a semicircular arc interrupted by the main thoroughfare to the plantation, Palmetto Avenue. This formation is unique in plantations in the antebellum U.S. Historian Daniel Stowell surmises that it may have given slave families a modicum of privacy, although he also suggests overseers and slave managers may have arranged the quarters to be able to watch all the slaves from the owner’s house at the same time.[44] Author Daniel Schafer, however, suggests that Anna Jai may have been responsible for this layout. West African villages were commonly constructed in a circular pattern with the king or ruling family living in the center.

This formation is unique in plantations in the antebellum U.S. Historian Daniel Stowell surmises that it may have given slave families a modicum of privacy, although he also suggests overseers and slave managers may have arranged the quarters to be able to watch all the slaves from the owner’s house at the same time.[44] Author Daniel Schafer, however, suggests that Anna Jai may have been responsible for this layout. West African villages were commonly constructed in a circular pattern with the king or ruling family living in the center.

John Rollins deconstructed several of the slave cabins to build a boat house and dock in the 1890s. The archeological significance of the site is considerable in light of the fact that the majority of slave quarters in the Southern United States were not built with quality materials, and most quarters were destroyed after emancipation.

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Need You Now by Lady Antebellum Guitar Lesson from FreeandEasyGuitar.com


Applique 12 Borders and Medallions!: Patterns from Easy to Heirloom


Applique 12 Borders and Medallions!: Patterns from Easy to Heirloom


$17.95


This treasury of patterns shows the artistic, technical, historic, and philosophical depths of antebellum applique album quilts. Patterns ranging in difficulty from easy to heirloom are reproduced full size. In addition, there are two patterns for center-medallion quilts….

Stitched from the Soul: Slave Quilts from the Antebellum South


Stitched from the Soul: Slave Quilts from the Antebellum South


$20.03


This richly illustrated book offers a glimpse into the lives and creativity of African American quilters during the era of slavery. Originally published in 1989, Stitched from the Soul was the first book to examine the history of quilting in the enslaved community and to place slave-made quilts into historical and cultural context. It remains a beautiful and moving tribute to an African American t…

Antebellum Rooflines to Cross Stitch (Book #3)


Antebellum Rooflines to Cross Stitch (Book #3)



The setting for Antebellum Rooflines is in the northern part of Mississippi. The homes chosen by the designer for this book were selected for variety, color and shapes that would go together to compose a pleasing book for stitchers….


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